For Every Sin
... there is a "meet" punishment.
For gross buffoonery, it is to have one's balloon pricked with a pin. But in extreme cases, a light dagger does the pricking and the belly of the buffoon ... well, you get the picture.
Richelieu's End
Identifying himself with a persona which was simultaneously princely, sacerdotal, political and literary, Cardinal Richelieu comported himself as though he were a demigod. But the wretched man had to play his part in a body which disease had rendered so repulsive that there were times when people could hardly bear to sit in the same room with him. He suffered from tubercular osteitis of his right arm and a fissure of the fundament, and was thus forced to live in the fetid atmosphere of his own suppuration. Musk and civet disguised but could not abolish this carrion odor of decay. Richelieu could never escape from the humiliating knowledge that he was an object, to all around him, of physical abhorrence....
Between the rotting body of the actual man and the glory of the persona, the gulf was unbridgeable....That dreadful stench, those worms battening on the living corpse, seemed poetically just and appropriate. During the Cardinal's last hours, when the relics had failed to work and the doctors had given him up, an old peasant woman, who had a reputation as a healer, was called to the great man's bedside. Muttering spells, she administered her panacea -- four ounces of horse dung macerated in a pint of white wine. It was with the taste of excrement in his mouth that the arbiter of Europe's destinies gave up the ghost.
-- Aldous Huxley, The Devils of Loudun
A Madman's Mantra
In the final six months of his life, my father, stricken with an eccentric dementia that emphatically was not Alzheimer's according to Dr. Hughes, his attending, developed a distressing affectation. Whoever came to see him -- it could be a long-lost co-worker from the River Rouge or it could be his first wife -- he would look the person dead in the eye, grasp a forearm and wrist with both hands and say "Mark these words!" He would repeat the expression several times, three or four. But then, with rare exceptions, he would abruptly look away, and his face would collapse into a mask that was without any affect.
The phrase was one that he used not uncommonly, usually in kitchen table debates. It would be followed by the expression of an opinion or prognostication -- about sports, or winter storms, or the presidential race.
But here, in this odd context, and followed by nothing, the phrase seemed to be "meta;" that is, the only two words that could be "marked" were "these words," and that didn't make much sense.
Or else the ritual had no meaning, which struck me as worse. It had me thinking, before there was Alexa, before there were sexbots, before ChatGPT, that we are all just wind-up dolls with no agency, and hence with neither merits nor demerits chalked up for us on the Big Blackboard of Life. This made it harder for me when finally we put the old man in the ground.
A Dog's Dream
If dogs can dream, then so can I. But if dogs dream, then my own dreams have no real meaning, at least none as Freud or Jung would have it. They do not foretell the future, nor do they lay out metaphorical guideposts for my life.
What they do emphasize, again and again, is my own sense of futility. There is an icy mountain in the middle of the Cornell campus. I must reach its summit, but its summit is beyond my power to reach. I must take a final exam to earn the credits to graduate from college, but I can't find the classroom where it will be held, nor have I remembered even to register for the course. There is a Greyhound bus, semi-streamlined in the old-fashioned style, waiting at a corner in the Midwest to take me back to Winthrop, but I don't have a dime in my pocket, let alone the entire fare.
And so it came as a pleasant surprise at the Hour of the Wolf last night when I experienced a dream whose narrative represented, you might say, a divine intervention against futility on my behalf.
There was a fictional young woman. Let us call her W for "the Wastrel." I had been incurably enamored of her for a long time. Early on, I made my feelings known in a most straightforward way, but they were resisted in an equally straightforward way. I pressed harder; her resistance grew. It became the irresistible force against the immovable object. And yet we carried on as friends, but seeing each other only from time to time.
As it happened then, I was organizing a very big dinner at my home to celebrate something or other. To my surprise, W came a couple of days in advance to help me prep for the thing.
In the quiet morning before, we sat side by side at the corner of the very long table where my guests would soon be dining. W had fetched a paper -- the densest and thickest edition of the Sunday New York Times that I had ever seen in fact. We tore through it together, quite happily. My brother was also at the table, and we tossed him the scraps as we were done with each section.
There, in an instant, I suddenly knew that her resistance to me was simply gone. It evaporated, and my pressure was released, simultaneously; one did not follow from the other via cause and effect. There was joy and peace, but something had to be done sacramentally to mark the moment, just as, at the end of Wim Wenders' "Wings of Desire," a glass of wine in a quiet corner of an otherwise raucous Berlin venue, one frequented by the young and the avant garde at the Fall of the Wall, became a chalice held by the archetypal Man and Woman. And so at once I reached for her hand under the table and also I met her eyes. "I was healed, and my heart was at ease."
These Things Happen After All
My grandmother's family-famous porcelain chafing dish stood on its side for many years in a bracket on a mahogany cabinet in my dining room. That is a room that we rarely use; it sees very little foot traffic except on holidays and briefly when the cleaning lady comes every other week.
But my daughter was staying with us in one of her transitions, and her closest friend stopped by to visit, dragging along her nine-year-old son, who is always called "Austin C." after the drug dealer who begat him, now long gone. Triggered by my withdrawal from his hands of a fake but nevertheless dangerous ornamental sword that was leaning in a corner of the family room, Austin C. went off on a bit of a rampage, at maximum speed, throughout the first floor. In the dining room his elbow clipped Nana's dish and its bracket, with predictable consequences.
On the sentimentality front, the dish was not brought from Ireland by Nana when she came, as family legend had had it. We found out that it was a gift to her from a neighbor who ran a small antique shop in Queens. But its provenance was Irish, in specific from the high-volume fires of the Belleek Factory in the North.
My first reaction to the crash was anger, at both the boy and his careless mother.
My second reaction was resignation; it was not something that could be undone.
My third reaction was gratitude directed at the boy, for accelerating entropy. Things are meant to be broken. Everything will be broken in due course.